"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
很苹果 很近的未来，总觉得这样的探讨很有意思
命题很好但展开的太浅薄 人的情感太复杂了 以及科技都到了可以复制意识的程度却治不了绝症…我不理解
克隆人研究因为伦理问题戛然而止，电影把这个命题放在垂死之人的选择下。若你知道自己生命将至，而生者还有很长的路要走，那么你是否愿意接受被挚爱之人遗忘，独自承受孤独恐惧痛苦，而把欢乐希望幸福留给他们呢？卡梅隆回到家里，看到一切安好，跟孩子和妻子做了最后的告别，那段真的很感人。I love you，always have，and always will。
找一个替身继续陪伴真的是对另一半更好的选择吗
1. Apple TV 终于开始发力，做出一些有质量的作品了。
剧情的发展不仅跟我原本想象的克隆人代替男主不同，甚至还有点温馨
结尾always have always will带给人的无力感，实在是一种最佳的留白方式。
天鹅挽歌，这个名字好悲惋。这部电影的质感也很apple commercial。科技造梦，醉后长眠。//3.5
还真是挺讽刺的……
即使把家人托付给另外一个“自己”，内心也会一定觉得肯定是哪里出错了的难以释怀。
本应探讨克隆深层次的矛盾，最后被廉价的情感替代了。
还可以，调调调的很准，各位大神表演也很到位！
和今年圣丹斯的电影《二重身》撞题，完全一致的故事背景，只是在克隆后的人生境遇和关键抉择里走向相反的类型处理，表演是加分项，效果见仁见智。
是文艺片不是科幻片，虽然设定很接近科幻一般所探讨的主题了，但导演志不在此
情感的表现已经足够了 希望能有更多的伦理上的讨论
或是知道未来的一切不再与我有关
呼唤着我的名字
温情的剧情伦理片，算是为2022开了个好头，当技术已经成熟，克隆所面临的就是情感维系问题，如何能通过副本和母体的认知匹配度测试，影片给了一个可供实现的方案。
本应探讨克隆深层次的矛盾，最后被廉价的情感替代了。
对死亡的恐惧时常让人错失了好好告别的机会。科技 伦理的课题还要讨论太久，也许永远没有答案。
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